Saturday, July 9, 2011

Sucka 4 Love

Sucka 4 Love Review


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Geovanni Cotto is a 20-year-old Puerto Rican white boy who is living a normal everyday life in the main streets of Elm City, New Haven, Connecticut. When he falls in love with his next door neighbor, a beautiful black woman named Crystal Betha with exotic, dark eyes and a body that would put Serena Williams to shame; his normal life turns into a raging nightmare. Her drug dealing boyfriend Lex is determined to show Geovanni the pain that comes with being a Sucka 4 Love.


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Jul 10, 2011 05:35:54

Friday, July 8, 2011

Popular Performer 1920s and 1930s Love Songs: The Best Romantic Standards (Popular Performer Series)

Popular Performer 1920s and 1930s Love Songs: The Best Romantic Standards (Popular Performer Series) Review


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Popular Performer 1920s and 1930s Love Songs: The Best Romantic Standards (Popular Performer Series) Feature

  • ISBN13: 9780739056769
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Rich textures, sophisticated harmonies and inventive rhythms make these arrangements ideal for hobbyists, advancing students, professional musicians or any Popular Performer. Titles: Begin the Beguine
* Dream a Little Dream of Me
* Easy to Love
* I Only Have Eyes for You
* It Had to Be You
* More Than You Know
* Somebody Loves Me
* Stardust
* Stormy Weather
* Tea for Two.


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Jul 09, 2011 05:13:29

Thursday, July 7, 2011

Japanese Popular Music: Culture, Authenticity and Power (Media, Culture and Social Change in Asia Series)

Japanese Popular Music: Culture, Authenticity and Power (Media, Culture and Social Change in Asia Series) Review


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Japanese popular culture has been steadily increasing in visibility both in Asia and beyond in recent years. This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture.

Based both on extensive textual and aural analysis, and on anthropological fieldwork, it provides a wealth of detail, finding differences as well as similarities between the Japanese and Western pop music scenes. Carolyn Stevens shows how Japanese popular music has responded over time to Japan's relationship to the West in the post-war era, gradually growing in independence from the political and cultural hegemonic presence of America. Similarly, the volume explores the ways in which the Japanese artist has grown in independence vis-à-vis his/her role in the production process, and examines in detail the increasingly important role of the jimusho, or the entertainment management agency, where many individual artists and music industry professionals make decisions about how the product is delivered to the public. It also discusses the connections to Japanese television, film, print and internet, thereby providing through pop music a key to understanding much of Japanese popular culture more widely.


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Jul 07, 2011 21:11:38

Wednesday, July 6, 2011

And the Beat Goes On: An Introduction to Popular Music in America 1840 to Today

And the Beat Goes On: An Introduction to Popular Music in America 1840 to Today Review


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This refreshingly current music appreciation text provides a scholarly examination of popular music's roots and history. The organization and the context of the survey reflect its introductory intent and aids the student in gaining an increased awareness of the heritage of popular music: to appreciate its diversity; to perceive the underlying kinship of its many styles; to sense its evolutionary momentum.


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Jul 06, 2011 17:20:54

Tuesday, July 5, 2011

James Brown's Live at the Apollo (33 1/3)

James Brown's Live at the Apollo (33 1/3) Review


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James Brown's Live at the Apollo (33 1/3) Feature

  • ISBN13: 9780826415721
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In this remarkable book, Douglas Wolk recreates the evening of October 24th 1962, at Harlem's Apollo Theatre, an evening at the epicentre of Cold War tensions. An evening when James Brown took the stage to be faced by 1500 screaming fans - fans who thought they might well be dead within a week. Wolk reconstructs, in great detail, what took place (and was recorded) inside the Apollo that night: one of the tightest, most legendary performances ever put down on tape. 33 1/3 is a series of short books about critically acclaimed and much-loved albums of the last 40 years. Focusing on one album rather than an artist's entire output, the books dispense with the standard biographical background that fans know already, and cut to the heart of the music on each album. The authors provide fresh, original perspectives, often through their access to and relationships with the key figures involved in the recording of these albums. By turns obsessive, passionate, creative, and informed, the books in this series demonstrate many different ways of writing about music. (A task that can be, as Elvis Costello famously observed, as tricky as dancing about architecture.) What binds this series together, and what brings it to life, is that all of the authors - musicians, scholars, and writers - are deeply in love with the album they have chosen. Previous titles in this now well-established series have beaten sales expectations and received excellent review coverage - the third batch is sure to continue this success. More titles follow in the spring of 2005.


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Jul 05, 2011 16:14:14

Monday, July 4, 2011

The Latin Tinge: The Impact of Latin American Music on the United States

The Latin Tinge: The Impact of Latin American Music on the United States Review


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The Tejano superstar Selena and the tango revival both in the dance clubs and on Broadway are only the most obvious symptoms of how central Latin music is to American musical life. Latino rap has brought a musical revolution, while Latin and Brazilian jazz are ever more significant on the jazz scene. With the first edition of The Latin Tinge, John Storm Roberts offered revolutionary insight into the enormous importance of Latin influences in U.S. popular music of all kinds. Now, in this revised second edition, Roberts updates the history of Latin American influences on the American music scene over the last twenty years.
From the merengue wave to the great traditions of salsa and norteña music to the fusion styles of Cubop and Latin rock, Roberts provides a comprehensive review. With an update on the jazz scene and the careers of legendary musicians as well as newer bands on the circuit, the second edition of The Latin Tinge sheds new light on a rich and complex subject: the crucial contribution that Latin rhythms are making to our uniquely American idiom.


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Jul 04, 2011 14:31:46

Saturday, July 2, 2011

Swingin' the Dream: Big Band Jazz and the Rebirth of American Culture

Swingin' the Dream: Big Band Jazz and the Rebirth of American Culture Review


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During the 1930s, swing bands combined jazz and popular music to create large-scale dreams for the Depression generation, capturing the imagination of America's young people, music critics, and the music business. Swingin' the Dream explores that world, looking at the racial mixing-up and musical swinging-out that shook the nation and has kept people dancing ever since.

"Swingin' the Dream is an intelligent, provocative study of the big band era, chiefly during its golden hours in the 1930s; not merely does Lewis A. Erenberg give the music its full due, but he places it in a larger context and makes, for the most part, a plausible case for its importance."—Jonathan Yardley, Washington Post Book World

"An absorbing read for fans and an insightful view of the impact of an important homegrown art form."—Publishers Weekly

"[A] fascinating celebration of the decade or so in which American popular music basked in the sunlight of a seemingly endless high noon."—Tony Russell, Times Literary Supplement


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Jul 02, 2011 11:38:28